Which story is better?

Kill Or Be Killed

About a week after losing my first one I was driving back to Manhattan. I had seen the psychologist who told me I was fine, that I could got back to negotiating. A job comes over the air. A guy was holding his father at gunpoint in a building, and they were looking for negotiators.

A captain that I knew tells me the story and jokingly says, “Make sure this guy doesn’t die.” I even smiled, a little bit, good-natured gallows humor. It turns out four hours later we shoot this guy to death in the hallway. The captain who was by then off duty called me up and apologized.

In his apartment the guy had his eighty year old father at gunpoint. Our tactics and response unit drilled a hole from the apartment above and put down a little filament which is a television camera, a little wire hanging down over his refrigerator.

This guy wanted cigarettes.

We could see him standing at the door with the gun. We said no. This is a bad guy. As a tactic we cut off communications.

He wants to talk to us now. He threatens, “If youse don’t talk to me I’m going to set the house on fire.”

You’ve got a building with forty families in it, and he’s on the first floor. We call in the fire department stand ting by, all lined up in the streets with their hoses.

The guy does in fact start a fire. It’s starting to go good in there, but you can’t run in because he’s got a gun.

All of a sudden the smoke starts to get real heavy. Through the smoke we see he’s got his father in front of him, this eighty year old man. He’s pushing him forward. One cop grabs the father and pulls him out of the smoke.

There’re two guys with rifles in the hallway. They shoot this guy on the spot. He goes down. Every body gives him quick CPR. You don’t want him to die. We put him on a stretcher ran him out past the firemen.

They say, “What happened to him?”

One of the cops says, “We shot him.”

“For starting a fire?” He didn’t know what was going on in the hallway.

Those was only the second that I lost in thirteen years, but they came a week apart. They just went sour. If a guy comes out with a gun, it’s kill or be killed, and like a gunfight in the street when someone starts to draw.

Lights Out

In one of the more bizarre incidents of my entire career, I’m interviewing a dangerous character named Joker Mendoza. This is at Chino State Prison in their secure housing unit, which holds their toughest inmates.

This guy has committed at least a half dozen murders on behalf of Nuestra Familia. He’s in for murder. He might be willing to flip, to turn state’s evidence. He’s already locked down because he’s in a jam with the rank and file members of the Nuestra Familia, a very violent gang. His brother, gangster Mendoza, had contract to murder me because of my involvement in this federal investigation. My son had already been followed home from school in Fresno area.

Joker, an unusually large Hispanic of about six feet, is a weightlifter. He’s got a denim shirt on, which he’s torn the sleeves off like a tank top, denim pants torn off ragged-edged, flip flops, tattoos all over, a very tough looking character.

Entering with me is an officer from the Department of Corrections internal gang unit.

As we introduce ourselves, Joker turns to me and says, “I’ve heard of you. I’ll talk to you. But I won’t talk with this motherfucker in here.”

The guys turns to me and says, “It’s up to you, Byron.”

“If you don’t mind, I’ll talk to him by myself.”

The guy says okay, excuses himself and walks out, leaving joker and myself in this very isolated room at the end of a hallway with the door locked from the outside. About ten minutes into the conversation there is a power failure. The lights go out and we’re plunged into total darkness. Dead silence follows.

It seems like hours go by, but it’s probably thirty seconds. For some reason I start laughing. And then in the darkness, he starts laughing . At one point I hear his chair shuffle.

He says, “You know, you’re in deep shit.”

In the darkness I say, “well, you don’t know what’s pointed at you right now.” We’re in a standoff. Then we both laugh again.

I say, “I guess we’re both in deep shit.”

He says, “Yeah.” And we start talking.

In about forty five seconds, which seems like hours, I see rays of light, and hear guards running down the hall, anticipating a scene of total carnage, that joker has ripped me physically limb from limb. They crash through the door, light us both up with the flashlights, and we’re laughing. I’m kicked back with my feet on the table, and joker’s over in another corner with his feet up.

These guys are befuddled. The lights come back on. Joker tells them to get the fuck out of there.

I have no idea of why I started laughing. I guess to him that was a sign of bravado. You revert to some basic instincts, like smell and taste. You almost become a predator.


More from Joseph JK . . .